Welcome to the website of the Digital Geographies Research Group (DGRG).
We are an academic research group of the Royal Geographical Society with the Institute of British Geographers (RGS-IBG).
Digital technologies are changing the life worlds we research as well as the very way we ourselves undertake research and teaching. Therefore this group seeks to be a welcoming forum to discuss these changes for geographers from different epistemic and methodological traditions, and for those conducting theoretical as well as applied research work. The DGRG is a platform for exchanges within and between sub-disciplines, engaging with the diversity of geographies of and through the digital, and thereby nurtures and deepens discussion of geographical digital scholarship and practice.
Our AGM is the point of the year when the committee reports to the membership and we all reflect on what has been achieved in the last year, plan the next year, and hear new suggestions for how the group is run and what it can do. We also elect committee members for open positions, and farewell previous committee members who are leaving. All ideas and suggestions are very welcome.
RGS-IBG International Annual Conference 2025: DGRG Pre-Conference Event
Exploring Place-based Creativity in a Digitally-Mediated World
Tuesday 26th August 2025 – 12pm – 5pm
Complementing the RGS-IBG’s conference theme of ‘Creativity/Creative Geographies’, the Digital Geographies Research Group organised this preconference event that invited participants to explore the placed-based creative practices of researchers, content creators and game designers alike. Speaking across a range of digitally-mediated contexts, the parallel sessions introduced explorative, playful and audio-visual forms of creativity. The workshops began to address a series of questions prompted by this year’s theme: What new concepts, methods or practices can digitally-mediated creativity offer researchers? Where are new spatialities of digital creativity emerging? The event was organised around a number of interactive sessions followed by a keynote by Professor Oli Mould titled: Psychedelics, multiverses and readical creativity: towards an aesthetics of the commons. The sessions were: AI in the Street, Pin the Tale and The Sounds of Birmingham.
Our latest Work in Progress video series is up now – Eurovision fandom, working from home privacy, place and location, and more! View on our YouTube channel